I have 5 new paintings on the go and I’m eager to tell you about the one that is closest to completion. It’s temporary title is “Garden of Persistence”.
I once looked at a list of 50 invasive weed species in Nova Scotia and recognized most of them because they’re growing at our place! Yet, I see beauty and persistence in all of them. Continue reading →
For the past 9 seasons, my paintings have had a home at the Flight of Fancy in Bear River. Rob Buckland, the owner and curator of this gem of a shop, has promoted my work since we arrived in Bear River in 2007. Over 200 fine artists and fine craftspeople have paintings, jewelry, pottery, sculpture, and glass in his two-storey gallery. It is a destination for art lovers and the collection is an inspiration to all. Continue reading →
I’m looking forward to my 7th year of participation at Paint the Town in Annapolis Royal on August 20 & 21, 2016. This annual weekend event brings 80 artists from all over Nova Scotia to join in an outdoor painting race that will raise thousands for the arts council and artists. Continue reading →
I’m very excited to be 1/2 of a two-person show in Bear River at the new Sissiboo Coffee Bar and Gallery. The show opens this weekend on Sunday, May 22 at 2pm and displays until the end of June. My good friends Jon and Erin asked me if I would like to be the first artist to show in their beautiful space. I am touched to be asked and very happy to celebrate with them. I asked artist Wayne Boucher to join me and he agreed! His large paintings are gorgeous and luminous. I think our work will look great together. Yeah! Continue reading →
Next weekend over 80 artists, mostly painters, will meet in Annapolis Royal to paint their little hearts out for 2 solid days all over the town.
I’ve painted live at this event for at least 5 years now and it is one of the highlights of my summer. Continue reading →
Last week we spent some time in beautiful Montreal visiting our daughter. It was my first trip there in over 40 years (gulp) and we visited the Montreal Museum of Fine Arts. I was so inspired by the oil paintings I saw from artists in Montreal who were contemporaries of English Canada’s Group of Seven, that I came home and pulled out my oil paints and got to work.
I chose a yellow and green acrylic ground for the painting because of the fresh ‘alive’ feel I wanted for the bouquet.
There are no flowers left blooming in my garden. The cold has taken care of that. The pickings are slim (pardon the pun) for buying flowers in rural Nova Scotia, but I was delighted to put together this bouquet from the grocery store selection in Digby. If varieties of fresh flowers are important to you in winter, don’t even think about moving here.
By the time I finished blocking in the shapes, it was dark outside, so I called it a day. That night as I fell asleep I kept thinking about what should belong in the large yellow space. I loved the colour and I hated to cover it, but the painting needed more development.
And here’s the thing about painting. Sometimes the main part can happen in a spontaneous, inspired way and everything flows together. But there will always be an area of the painting that causes more grief than the rest of it put together. At least, that’s how it is for me.
I was happy with the gestural line and texture and tone of this painting and I think it reflects the feelings I had about the work I saw in Montreal. But that darned yellow canvas area…..that was a challenge to resolve.
When I woke up, I thought about the interiors I’d seen in paintings the previous week and I decided to place a chair from the 40’s to suggest a table and to give the painting a nostalgic feel.
But now the tabletop looked empty. I decided to include fruit. I brought out a plate of Nova Scotia Gravenstein apples and added them to the painting. I defined the table edge on the left hand side of the painting.
The next day when I looked at the apples, I didn’t think they fit in the painting, so I got out my turpentine and scrubbed them out.
But in looking at the apples on my German pottery plate from the early 70’s, I’d fallen in love with the look of apples. I had to take a detour from the flower painting and begin a study of the apples. They really deserved their own canvas, wouldn’t you say?
I went back to my flower painting and had gained another day of thinking about what to do in the big empty yellow space. I wanted something that wouldn’t overpower the bouquet.
I chose to break up the yellow of the table with a long shadow from the chair. The shadow points towards the vase to which pulls the viewer’s eye there. The shape of the shadow reinforces the style and age of the chair.
The painting will require at least a few weeks to dry. It is definitely my Homage to Montreal.
And as for the apples. Well, they are perhaps an homage to the Homage to Montreal. 😉