The Patterns in the River

I am very excited about these images of the foam on the river as the tide came in today. There are so many patterns and variations.

I want to play with these in Photoshop and see what I can do with sandwiching the layers together to come up with a new interpretation.
I have spent the last few weeks immersed in colour after organizing for my art show in the village. After spending last weekend talking to friends and visitors about my colourful watercolours, it feels good this week to experience  the absence of colour.
Yesterday I pulled out my watercolours  and painted this remembered lake. The marks are created with epsom salts! It turns out to be the perfect type of salt to use for creating this effect.
It was exciting today to see this type of patterning repeated in the river.

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You’re invited to Hearts and Flowers

Art - Hearts and Flowers

This show is a thank-you to my community and admirers for your wonderful support of me and my paintings. I have never shown my watercolours in Nova Scotia and the vast majority of these paintings have never been exhibited. A few of the works are watercolour monoprints. (also one-of-a-kind) At this point in my career as a painter, it’s time to say goodbye to drawers of work to make way for new works. For this reason, the works are for sale this month only at “thank-you” prices from $20 to $175. Shipping is extra.  Please email me if you have questions.

Here is a slide show of all the works. Where no ruler is shown, the pieces are about 11″ x 15″.

Here are photos from the show:

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Monoprinting – watercolour on plexiglass

I have long enjoyed monoprinting using watercolours. The vibrancy of the results and the consistency of the paint results is very appealing.

Each piece is unique as most of the paint comes off on the first pass through the press, or by hand-burnishing. I have made videos to show you how to do this. This spring I gave 2 workshops on this technique and it was inspiring for me to see the results of other painter’s results with this method.

Springtime brings with her a promise of new life and colour. These are my Ode to Spring! I continue to plant lots and lots of flowers for inspiration.

The following monoprints are for sale. Each one is printed on archival cotton paper. The total paper size is 11″ x 14.5″. The image sizes are 8″ x 10″   or  8″ x 12″ . Continue reading

Tradition and Innovation – a printmaking show

Two of my pieces will be in a printmaking show that opens tomorrow (Saturday) at the Art Gallery of Nova Scotia – Yarmouth branch!

I just finished them last week and framed them a few of days ago. The show includes work from printmakers at two South West Nova Scotia studios. One is in Yarmouth and the studio I use, Le Manivelle, is in the basement of Saint Anne’s University in Church Point. Continue reading

Printmaking with Foam and a Ballpoint.

Tulip print and print source.
Tulip print and printing block.

I have always loved printmaking. Maybe I have in my blood. My father was a Linotype operator and my mother was a writer and an artist who painted with oils and pastels.

The inspiration for the prints was this cheerful pot of daffodils.
The inspiration for the prints was this cheerful pot of daffodils.

I am one of the few people who actually likes the smell of oil paints –but I digress. The online course in fibre arts that I recently took used stamps in the projects so I decided to save some money and to make my own.

Pulling a proof.
Pulling a proof.

The problem was I couldn’t find my woodcuts carving tools as they are either still packed away in a box somewhere or they didn’t make the trip here 18 months ago when we moved.

Print of tulips.
Oil print on cotton rag paper.

Something that I am learning in Bear River is how to improvise. When people live on reduced means and are far away from stores that supply everything, they are forced to get inventive. This kind of creativity and innovation is a skill that I didn’t develop very well growing up in the city.

Making a print using foam.
Making a print using foam.

I’d like to think that the innovation is rubbing off on me now because I have figured out a great way to make a stamp for printing using readily available tools. I’m sure this is not original — probably several hundred other people have figured it out already, but it still excites me.

Glue foam pieces to board backing.
Glue foam pieces to board backing.

I’ve made a little video to show you how to do this and if you try it I hope you have as much fun as I am having!

In the past couple of weeks I’ve been printmaking. I enjoy the resulting high contrast and the textures in printmaking, and I want to bring that same feel to my next painting.

I added line and colour to this print.
I added line and colour to this print.

This is a story of how one thing leads to an unexpected other thing. The online personal symbols class led to this printmaking experiment. In a later post, I’ll show you how it has impacted my painting.

Printing and painting.
Adding watercolour to the print which is printed on watercolour paper.