3 Women, 3 Visions: New Paintings at Big Blue Gallery, Belliveau Cove. Reception Aug 8 at 6pm

I just spent a glorious day at the Big Blue Gallery in Belliveau Cove, on St. Mary’s Bay in Nova Scotia. I hung new paintings in the August exhibition with painters Nadine Belliveau and Jennie Morrow.

This gallery is truly a labor of love, created by Artist and Art Professor Sam Norgard. Together with gallery manager Tracy Jordan, they are manifesting an artist gallery, community, and retreat centre. This magical setting includes an old apple orchard, a one-room school house for classes and a bright blue house that serves as main floor gallery and upstairs sleeping quarters for workshop and retreat attendees. Each room is unique in terms of palettes and art and handmade quilts. It’s off the charts in terms of charm.

I feel honoured to be invited to show here.

I’ve been painting my garden flowers for the last two+ months and it has been a restorative process. It is so energizing to be around their beauty.

Like so many of us, I often feel waves of despair about the state of the world and the environment. I can’t look away from it, and I don’t want to. But painting the garden—being with these living things and capturing their energy—has become a necessity for me. It reminds me of the beauty that still exists and the persistence of life itself.

Click on the image below to see my paintings in the show. But better yet, come and see everyone’s work live.

If you’re nearby, I’d love for you to come to the opening reception this Friday, Aug 8 from 6 pm. – 8 pm

🌊 Big Blue Gallery open Tue- Sun, 10 am – 4 pm
3491 Highway 1, Belliveau Cove, Nova Scotia

You can find directions and more information here: Big Blue Gallery on Google Maps

It’s pretty special to have a show in a space that feels this creative and alive. I hope to see you there!

New Paintings in Bear River Artworks Gallery Year 10!

Bear River Artworks season opening on Saturday, June 1, 2024 marks the tenth year since a group of local artists opened a cooperative gallery in Bear River, Nova Scotia.

I attended the very first meeting back in 2015 and joined without hesitation. I was eager to find a venue for my paintings and to help develop a member-directed community project. I also wanted to meet the wonderful people who bought my paintings and who created their own bonds with a piece of my art.

New Paintings

But even after ten wonderful years, I still worry at the beginning of May that I won’t have finished enough paintings in the autumn and winter to hang. But, surprise, every year when it comes time to varnish and name the babies, I find that I even have a few extra!

This year’s crop of paintings is almost entirely flowers.

The one exception a the huge double painting of sumach trees.

The Enchanted Sumac Grove
©Flora Doehler, 2023
48″x72″
Acrylic on 2 Canvas panels

It is a thrill to paint live flowers, but I am severely limited in the winter to forced tulips, forced forsythia branches from our enormous bush and potted geraniums. All of these made their way into some of these new paintings. 

The remaining paintings were developed from a group of floral paintings that had been neglected until this winter and spring when I finally finished them.

Every artist has her own unique approach to painting. Bringing my easel inside from the centre of a living, moving garden and surroundings is a difficult transition at first. Painting from memory, from sketches and from my photos is a completely different way to work.

I must shift my concentration away from the living world and the outside elements to a static one. So, I use the opportunity to focus on learning more about the mediums (oils vs. acrylics vs. sketching) and color theory.

When I’m not able to get inspiration from Nature, I look for it in the work of other artists. I revisit and add to my collections of artists’ paintings on Pinterest. In this way I ‘discover’ so many new living artists along with new-to-me works from long-gone artists. I learn a lot about what I like in a painting and am able to step back and to take a critical view of my unfinished paintings that got ‘stuck’ and, hopefully, inject life into them.

The greatest way to learn is by doing, and there is a lot to learn. I am very fortunate to be able to paint in this beautiful corner of the world.  And I’m grateful to be a part of a group gallery with supportive colleagues. It is truly wonderful to be part of a small gallery where I can exhibit my paintings to people who are interested in what I do and to those who have helped me pursue my passion by buying my artwork.

Bear River Artworks Gallery is open in June from Thursday to Sunday, 10-4pm.  We plan to extend the week by 1 day for July, August and September. Hours will be posted on our social media.

All the artists take turns managing the gallery and while there is a schedule, there is no set day that I work. I will be there June 1, 7, 15, 21, and 30th from 10am until 4pm. If you would like to visit me in the Gallery or in my home studio, please contact me.

The other artists are jewellers Larry Knox and Laurel Strachan, painter Crystal Pyne and photographer Gary Fraser. They would love to meet you too!

Inventing a Blue Flower While Breathing

If you love flowers, you’ll know that actual blue flowers are rare. Horticulturalists try to develop true blue blooms, and sometimes they come up with a purple and call it blue. And even though some flowers are blue, like a Cornflower, a Delphinium or a Forget-me-not, you can’t find a blue Zinnia or Daisy.

Except if you are a painter, and you can imagine it. You can paint the flowers any colour you want to.

Continue reading

My Floral Paintings Hop to the Rabbit House

On Saturday March 31, I’ll be in a group show with potters Deb Kuzyk & Ray Mackie and painter Wayne Boucher. It’s another example of my dream-come-true in moving to Nova Scotia. This time, you’re invited! But let me start at the beginning.

Over 10 years ago, on my very first visit to the Annapolis Valley, I wandered into the Lucky Rabbit Pottery Store in Annapolis Royal. I was blown away.

Continue reading

Answering the Call of a Painting

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In my studio while winter blows.

Did you ever give yourself a personal challenge and then 3 months later wonder why?Last fall I innocently challenged myself to paint a series involving people. I was inspired by my drawings that date back to my student days. I used to do a lot of people sketching then with charcoal and pencil. Continue reading

Nurture and Nature Paintings – one more week only!

It is a wonderful feeling to see the fruits of my labour on display in a gorgeous gallery. Sharing the experience with a fellow painter is better still!
Susan Geddes and I hung our paintings and hoped that people would come out to see them. The place was hopping during our opening and it was wonderful for both of us to share our visual view of the world with old and new friends. Thank you for being part of it – in person at the gallery or right now, virtually.

You can still see the paintings daily in Annapolis Royal (closed Mondays)until November 23rd at ArtsPlace at 396 St. George Street. I’ll be there on Saturday Nov 15th from 1-3 pm.

The Colour of Longing ©Flora Doehler, 2014
The Colour of Longing ©Flora Doehler, 2014 Oil, 24″ x 24″

Tulips are a favorite flower (are they ALL my favorites??)  This oil painting went through quite a few versions until I arrived at this final one. You can see my progress here.

As attached as I am to that tulip painting, in this moment “Earthly Delights” (below) is my favorite of the show. I think it has an under-water quality and has a depth to it that I don’t usually use.

I started it in the spring using poured acrylic inks in the background. When the lilies bloomed in summer, I added them  and in the fall the last ‘poser’ was a brilliant orange Chinese lantern. So really, I painted all the flowers in the bouquet  as they bloomed. It represents, to me, the entire flowering cycle, hence the title.

Earthly Delights ©Flora Doehler, 2014
Earthly Delights ©Flora Doehler, 2014 Acrylic, 48″ x 36″


My next favorite paintings are these three and I described in this post about where my inspiration came from to abstract my Bee Balm garden flowers on the canvas.

I can’t help myself. I keep planting lilies and I keep painting them too. I was a little inventive with the colours “In a Field of Lilies”. I WISH there was a blue lily. This painting inspired me to plant a new, deep maroon lily this fall. I think they are one of the happiest flowers in the garden. With their heads in the air they are true optimists.

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In a Field of Lilies ©Flora Doehler, 2014 Acrylic, 30″ x 30″

These are 8″ x 10″ paintings I started at the Historic Gardens in Annapolis and finished in my studio. I got to make full use of the sgraffito style that I like to play with.

I also painted lilies and other flowers using acrylic inks and paint on paper and then adhered it all to boards. These are 12″ x 12″ and are another reminder of summer. I enjoyed combining drawing and painting here.

My artist – friend Susan Geddes flew in from Victoria BC to share this show with me. I love her use of colour and texture. Her paintings have a dreamy, ethereal quality to them as well.

Stop in this week and see her work — and mine. Details about the show are at the bottom of this post.

painting by Susan Geddes
Jump for Joy! ©Susan Geddes

painting by Susan Geddes
Bubbling Up ©Susan Geddes
Acrylic, 16″ x 20″

Paintings ©Susan Geddes
Paintings ©Susan Geddes

Painting ©Susan Geddes
Painting ©Susan Geddes

©Susan Geddes  &  ©Flora Doehler, 2014
Painting ©Susan Geddes Painting  &  ©Flora Doehler, 2014

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Sketching the Acadian House in Annapolis Royal

Not only do the Historic Gardens in Annapolis Royal recreate gardens from the past, they also give us a glimpse into the home life of the Acadians who lived here before the British arrived.

Acadian HouseThe first occupiers in this part of the world were the French in the 1600’s. Their settlers were innovative farmers who reclaimed salt marshland and transformed it into fertile growing lands. Their relationships with First Nation groups was more harmonious than the British would be. Eventually the British – French wars meant that Acadians were thrown off their lands by the British and shipped to various outposts including Louisiana where ‘Acadian’ became ‘Cajun’.

Many families were hidden by the Mi’kmaq and refused to leave their Nova Scotian homeland. Today there are still small communities of Acadians in Nova Scotia who work hard to keep their language and culture alive.

Here in the gardens, the tiny thatched house with hand-made glass windows is a visual reminder of some of that history.

Acadian House2
La Maison acadienne features the only archeologically authenticated replica of a pre-deportation Acadian dwelling in the Maritime region. The potager is based on original diary notes from the Acadian era, while the orchard and willow hedge are heritage cultivars from the 17th Century. La Maison acadienne is based on a 1671 time period when Port-Royal (later Annapolis Royal) was the centre of Acadie.- from the website of the Historic Gardens.

Last week in the gardens I sat in front of the thatch-roofed cabin and sketched it, later adding watercolour paint at home.

Acadian House © Flora Doehler, 2014
Acadian House © Flora Doehler, 2014

Acadian House © Flora Doehler, 2014
Acadian House © Flora Doehler, 2014

The Annapolis Royal Historic Gardens Inspire me – again!

About 30 years ago some clever garden and community development innovators in Annapolis Royal, Nova Scotia had the brilliant idea to recreate the historical periods of the town with a 17 acre garden.

Historic Gardens, Annapolis Royal

This August, like the past 5 summers, I have painted in the Historic Gardens during Paint the Town. This fall I finally bought a membership…only cost me $35 a year…and I’ve been visiting my favorite flowers when I go to Annapolis. It’s a 25 minute scenic drive from my home in Bear River.

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The gardens in Annapolis are exquisite…from wild and generous, to deliberate and precise. I love the Victorian Garden with its sunny, happy flowers and it’s outrageously oversized exotic-looking plants that look like they belong in an antique glassed-in greenhouse in England.

canna

Incredibly, all the flowers are annuals and this is what the gardens look like before planting time.

Historic Gardens, Annapolis Royal

What a difference 5 months makes!

IMG_0925In the days ahead, I’ll show you some drawings and paintings I’ve created lately at the Gardens.

I’m working on a series of flower paintings for an upcoming show I’m having with fellow painter Susan Geddes…also in Annapolis Royal, so painting and drawing at the gardens is very inspiring right now and is my homework!

invitationsmallThis little painting of mine was auctioned at Paint the Town this summer.

If Zinnias were Blue © Flora Doehler, 2014
If Zinnias were Blue © Flora Doehler, 2014




 

You’re Invited

I have been immersed in the preparation for my upcoming art show in Bear River.

It seemed like a good idea at the time..to show paintings from the last 2 and 3 years here, but wow. What a lot of work to get everything ready to hang. I had forgotten that part. There were paintings that needed some touching up, edges of canvasses to finish, wire to attach, paintings to seal, photos to take, labels to make, artist statement to write. And very important…cookies to be baked!

January Garden

I hope you can come. If you live close by and can’t come to the opening on Saturday afternoon, January 26, from 1pm to 4pm, then please try another afternoon. I’ll be in the gallery working on a painting and will be glad to talk to you about painting.

And if you live far away and can’t come, I’ll try to take a few little movies to share with you.

Here are some paintings that you’ll see next Saturday.

 

Show of Paintings – Jan / Feb 2013

Hi there!  I’m thrilled to tell you that I’m having a showing of my paintings in Bear River at the end of January.  This will be an opportunity for me to show large paintings from the last couple of years in one space.

I will work on a painting onsite during the show.

Saturday, January 26 – February 3: A BRUSH WITH LIFE: paintings by Flora Doehler

the Rebekah
 downstairs location (1890 Clementsvale Rd.) in Bear River.

Gallery opening with refreshments on Sat Jan 26, 1 – 4 pm.
I will be at the gallery from 1 pm to 4 pm (or by appointment) on the following days:
• Sat. Jan. 26, Sun. Jan. 27
• Thur. Jan. 31, Fri. Feb. 1, Sat. Feb. 2, Sun. Feb. 3
I’ll be painting starting on Thur. Jan. 31. All welcome.

For more information, please email me at flora.doehler@gmail.com

Brier Island Heat (sold)

Here is one of a series of short videos to show you some of the paintings that will be on display.

Flora Doehler Paints the Town

This past weekend I painted up a storm in the Historic Gardens in Annapolis Royal. The event, Paint the Town, is an annual fundraiser for the Annapolis Regional Community Arts Council (ARCAC). The resulting silent auction of  hundreds of paintings, sculpture and blacksmithing that are created also benefits the 75 participating artists. Continue reading

Painting Winter Fields

Charcoal sketch of field patterns.

It’s absolutely gorgeous outside right now. There is a thick blanket of snow covering the fields, and the  hills. With all the leaves gone it is really easy to see through the trees to the hills on the other side of the river.  What I see is long stripes of trees that border fields, slashed diagonally by roads that wind their way down the hills.

Looking from the Annapolis side towards Riverview Road.

The colors now are so muted that it is a challenge for a color-loving painter like me to actually paint that scene in a monochromatic way.  in fact it would be easier for me to use brilliant colors to depict the snow scenes around me–but I want to try an abstracted approach using muted colors.

Acrylic on canvas.

I start with charcoal drawings to get a sense of the shapes in the distance.

Charcoal sketch of snow scene.
Larry is immersed in creating a pendant and is listening with me to a podcast from This American Life about the fictitiousness of money, starring the Federal Reserve.
I discovered, quite by accident, that if I put my paper on top of the hot wood stove, and draw on it with crayon that the wax melts instantly and leaves a very dramatic line.This must be what encaustic painters experience!
Melted crayon on paper and charcoal.
I chose for my palette:
  • anthraquinone (blue )
  • burnt sienna (rust)
  • raw umber (brown)
  • titanium white
  • carbon black
These canvases are 16″ x 16″. I’m using fluid acrylics mixed with matt medium. This one was my favorite as far as the intensity of colour.

I rarely use burnt umber and I never use black. In fact I hardly ever use white either. So all of these choices amount to a complete departure for me. But I was determined to give it a try.
This was my favorite of the 3 canvases as far as paint texture goes.
I will work on them tomorrow with the objective to create a more harmonious look and feel to the 3 canvasses. Although I really like the intensity of the colour, it is more than I intended. But, a reduced colour seems to go against my very nature. I may try to mute things anyway. Stay tuned!
Canvases drying on my new cushioned mats. (I stand when I paint).
This is a good exercise to work on while winter is upon us!
The studio is like a giant playroom for Larry and me.

Intentions for 2011 at Green Willow Studio

Our Green Willow tree,  Cordelia, has finally dropped her leaves. A Cherry tree stands to the right and produces tasty cherries that drip down your chin in the summertime.  Mostly the birds get the bounty as the limbs are too high for us to reach. Our studio is the red building. The other two ‘public sides’ are painted periwinkle blue. We heat it with a wood stove and a small space heater.

2010 was the ‘birthing’ year for our Green Willow Studio. We started with an uninsulated garage and transformed it into a warm, walled and electrified studio! It took us some time to get everything arranged so that a silversmith and a painter could work in the same space. Together, yet apart.

Most of the time it works. We listen to music or to podcasts. We break for tea or coffee and either talk about our work or we go for a walk around the garden to get a different perspective.

It is a thrill for us both to have the luxury of such a well lit room (there are windows on all four walls!) and to be surrounded by garden and a wild field where pheasants live.

As part of the Bear River working artists studio tour it was essential for us to have our studio ready for the beginning of the tourist season in May. We set up a display area in the studio where people can buy our work.  We have met some wonderful people that way and have sold some pieces.

Tulips. Acrylic on canvas by Flora Doehler. SOLD

 

My painting sales this year at the Flight of Fancy, at Paint the Town and in the studio were motivating and rewarding.  A series of one-on-one art coaching and tutoring in painting has helped me to share my painting techniques and to practice teaching. Attending the Bear River Artists and Farmers Market nudged me to develop affordable art as well as gave people a chance to see my work.

 

 

Larry received jewellery commissions and is showing sculptural pieces at Art and Jules Gallery in Halifax.

 

“Growth Spurt” hammered copper vessel by Larry Knox, 2010.
Now 2011 lies before us like a blank canvas or like a shiny sheet of copper waiting to be formed.
The possibilities are infinite; the ideas are many and there are decisions to be made about content, about intention, about the best way to express one’s creativity.
Blooming summer flowers were a constant inspiration.
 I will spend more time posting to this blog and sharing step-by-step, the creative discoveries and techniques that I am using in my work and that Larry is using in his work. Up until now my blogging focus has been on our day to day lives in our adopted village of Bear River. After three years there are over 100,000 hits on that Blog and it has even brought visitors to Bear River. It’s time for me to shift some of the energy spent in promoting Bear River into sharing our artistic life and promoting our work to the world!
Commissioned copper and silver bracelet by Larry Knox.
Copper pieces.

 

Larry and I are excited about these developments and we look forward to sharing our creative journey with you in this coming year.  Thanks for your virtual visit!
Happy New Year and may you experience many creative moments in 2011 and may some of them be inspired by our creative journey.
Painting outside in the summer.

Painting the Historic Gardens in Annapolis Royal

In the Begonia Garden by Flora Doehler, 2010. 8″ x 8″

This past weekend I joined over 70 artists to Paint the Town’ in Annapolis Royal. This annual fundraiser for the local Arts Council is a great opportunity for artists to show and sell their work and for collectors to watch artists at work and to buy art at reasonable prices.

The Annapolis Region Community Arts Council (ARCAC) has sponsored the event for years and the weekend runs like a well-oiled machine. Artists arrive from all over Nova Scotia…over 7o painters this year. The artists set up all over town.
Plein Air Painting kit
If you are curious about the contents of my painting kit, click on the photo and read the notes at Flickr.
Volunteer ‘runners’ circulate and pick up the finished pieces in pizza boxes and take them back to the gallery at the Legion where they hang for sale all day with a ‘gallery’ price determined by the artist. At 5 o’clock the unsold work is auctioned by silent auction. The Arts Council gets 50% of the amount and thousands of dollars are raised this way every year.

 

The Artist entry fee is $12.

 

I was thrilled to be able to set up my paints at the Annapolis Royal Historic Gardens. This park is an oasis of flower garden beds organized around the centuries of the town.
The first morning I scouted around the park with its ancient trees.
I set up in a great spot with dappled light under towering trees. The begonias were a riot of colour and were nicely contrasted by blue salvia flowers. I pulled out all my gear and promptly dropped my piece of German Plum Cake upside-down on the grass. Not to be discouraged, I brushed it off and enjoyed it with my coffee while I studied the flowers and thought about my painterly approach to them. Meanwhile birds hopped around and sang and it was wonderful to be there.

 

Surrounded by happy flowers.

Wonderful until I realized that I’d forgotten to bring containers for my paint water!! I finished my treat and headed for the recyling bin where I found plastic juice containers! My sharp knife soon transformed them into water jars and it was smooth sailing after that.

Here are the works I painted in the Begonia garden on Saturday. (Click on the images to enlarge them.)
The next day, Sunday,  I spent the early morning in the Victorian Garden while there was still some shade to work in.
The colours were vivid and the zinnias were taller than me. At one point a butterfly was brought out and released to much fanfare.

 

This was my largest painting. I used up all my matt medium on it.

My Sunday problem was that I ran out of matt medium! It’s an essential part of my kit because I use it to get the scratching-in effect in my paintings. I searched out other artists in the park and was given some by artist Shannon Bell and when that ran out, a bottle of the stuff from Louise Baker, an artist with a love of colour who lives in Halifax. Thank you Louise and Shannon!!!

Here are the paintings I did in the Victorian Garden until the sun drove me away. (Click on the images to enlarge them.)

After the heat of the flowers and the sun, I decided to seek out a cool, shady, quiet spot. I found this at the Lily pad pond.
The mosquitos thought it was a pretty nice spot too, in spite of my liberal spraying of citronella. In fact a couple wandered by while I was painting and asked me if I could tell them which flower was giving off that scent. I told them that I was the flower and we had a good laugh over that.

 

The challenge here was to edit the elements down to make sense of the scene in a painting.

They were visiting from Montreal and I told them about the silent auction. They later lost out on the bids for 2 of my pieces, but found their way to our studio the next day where they bought 2 paintings that I had been working on in my garden. Here is one of them:

Nicotiana
Nicotiana in garden chez moi.

 

It was truly wonderful to connect with some of the people who bought my works. Over half of the purchasers and bidders had watched me paint in the park. They connected with my interpretation and they also connected with the setting. I think it was nice for them to see the process (well, not the dropped plum cake part). Oh, did I mention that all 12 paintings and sketches that I did over the weekend sold? It’s three days later and I’m still flying high about it.
These were my paintings at the lily pond. (Click on the images to enlarge).
At the end of the day I sketched the scene for myself with marker and brush on damp paper. A charming woman from New York walked by to admire it. She thought it would make a gorgeous wallpaper. I told her that it was my souvenir of the weekend and she suggested that I offer it at the silent auction so that she could bid on it.
Well I did and it sold for $50. Here it is for you to see:

 

The Pond sketch on 9″ x 12″ watercolour paper. ( The paper is actually white)
Acrylic paint brushed into damp paper.

It was an exciting weekend on many levels – wonderful to meet painters, wonderful to have such a positive response to my work, wonderful to create in such an inspiring setting. And, wonderful to earn some money too which was just as well because our house water situation was failing while I painted.

See you next year at Paint the Town!

photo courtesy of Trish Fry, Annapolis Royal Historic Gardens.

Inspiration. Where does it come from?

Creative inspiration.

Where does it come from and where does it go to? Like all eternal questions the answers vary from person to person and the reasons are complex.

There are several ‘givens’ for me. My feelings have to kick in. I have to feel an inkling of an inner joy or excitement about looking at the object that I want to paint. I like to be well-rested so that I can focus on the task at hand. I feel especially inspired by nature, by colour, by visual things around me. Sometimes I am amazed by the sight of a flower grouping or a landscape or a cloud formation or even a colour and I want to stop everything and pull out the paints. I like to play music that accompanies my mood and my approach to the canvas.
Cloud in Bear River East
Sometimes a life event will trigger the painting. My painting Exuberance that sold recently at the Flight of Fancy in Bear River may look like a flower painting, but it was really a celebration of a breakthrough in my painting style.


After painting exclusively with watercolours for years, I had discovered fluid acrylics and found them to be a logical extension of wet-in-wet watercolours. Fluid acrylics have both the translucency and brilliance of watercolours with the advantage of the flexibility of acrylic. I was so excited about this and I think that energy came through in the painting.

Recently I’ve been getting my inspiration from beautiful Bear River Blooms on Sissaboo Road. This flower growing farm is worked by the caring hands of Cheryl Stone. Her bouquets are loaded with blooms, they are fresh, cheerful, colourful and the ones I’ve been getting from her have a country-cottage feel to them. How could I not be inspired

I drew inspiration from a bouquet to develop my current painting.

For me, the painting process starts out as an exercise in getting to know the subject matter. I focus on the object so intensely that I don’t want to talk to anyone or to be interrupted. (My wonderful studio-mate and life-mate Larry is very respectful of this).

Next, I choose the colours that I will use. My objective is to narrow it down to 3 to 6 colours. It’s a tough discipline, but it means there will be more harmony in the painting.

I changed the colours of the blooms as I was in an “orange” mood. 

The flowers emerge out of darkness and for me, this painting is about the joy I feel in finally being set up in a fabulous studio and having the chance to play with colour.
Into the Light  (sold)

It is interesting to me how much more I get out of the flowers knowing they were lovingly grown by someone I know. If you get a chance to go to the Annapolis Farmer’s Market, stop by Cheryl’s booth and buy some old-fashioned blooms that last forever.

Some of the music I listened to was Jane Ira Blooms’ Chasing Pollack. It’s quite jazzy and loose. You can sample it here.

I also listened to the Peat Bog Fairies and you can hear them in the background of this little video of me painting. They live on the Isle of Skye in Scotland, an extremely inspiring place if there ever was one!

The pasty looking gunk on the canvas is matt medium. It allows me to move the paint by scratching it and scraping it. It also dries clear. You can also see which colours I used for this piece.