Let me squeeze under the wire and wish you a Happy New Year before this first month of 2019 ends!
I love that January feels like that reflective month when it’s OK to throw caution to the wind and change your mind, your direction and to question everything you’re doing. Continue reading
On Saturday March 31, I’ll be in a group show with potters Deb Kuzyk & Ray Mackie and painter Wayne Boucher. It’s another example of my dream-come-true in moving to Nova Scotia. This time, you’re invited! But let me start at the beginning.
Over 10 years ago, on my very first visit to the Annapolis Valley, I wandered into the Lucky Rabbit Pottery Store in Annapolis Royal. I was blown away.
I’ve been enjoying the euphoric aftermath that comes from a successful art show – the result of a winter of intensive painting. The accomplishment of a completed project is a good feeling, don’t you think? Continue reading
My exhibition in Bear River opens in 6 days and I’m finishing up edges of paintings and varnishing and putting the wiring on the backs of the canvases. (Thank you Larry for that part.)
This part is fairly tedious compared to painting and I have to hold myself back from starting anything new.
And now, in my opinion, I am faced with the toughest job – finding titles for the paintings. Continue reading
I paint because I’m in love with my subject and I am delighted by the process of applying colour to a blank surface.
In the book Art and Fear the writers suggest that the observers who admire the finished piece of work have no interest in the artist’s process:
MAKING ART AND VIEWING ART ARE DIFFERENT AT THEIR CORE. To all reviewers but yourself, what matters is the product: the finished artwork…In fact there’s generally no good reason why others should care about most of any one artist’s work. The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars. One of the basic and difficult lessons every artist must learn is that even the failed pieces are essential.
It’s amazing what a little bit of sunshine and blue sky does to lift spirits at this time of year. Tomorrow we’re expecting 12 Celsius- positively heat wave weather! Although we will likely have at least one more winter storm, in the here and now, it feels and smells like spring. I love it! Continue reading
Wherever You Go, There You Are is the title of a book by Jon Kabat-Zinn (son-in-law of activist Howard Zinn). The book is about practicing mindfulness through meditation.
Buddhism and cognitive therapists teach us that our interior dialogues are always present, chattering to us in every situation.
So what does this have to do with painting? Continue reading
I have a little challenge for you. If you have an iPad, try out the kaleidoscope effect in Photo Booth.
Last week I borrowed a friend’s and got some enormous pleasure pointing it at plants and flowers.
Iris are my favorite personal flowers. The iris in this painting came from blooms in my grandmother’s garden in Toronto over 60 years ago. I paint them every year and think of my mother and grandmother.
My paintings always reflect my state of mine. While I worked on this, I brooded about a problem in my non-painting life that turned this into a very purple and blue painting. But as the week wore on I changed my way of seeing my problem and that’s when I (coincidentally) changed the focal point in the painting to an optimistic yellow iris.
I actually do have some yellow iris like this one, but they didn’t bloom this year. Well, except for on my canvas. 😉
I started this painting outdoors in front of my ‘model’, the flower bed. I have a wonderful pop-up screened tent to protect me from vicious black flies, who are out in full force in spring. The orange curtain is clothes-pinned to reduce the glare from the direct sun.
I bring in the work to refine it in the studio…along with some flowers.
Here you can get a better sense of the size of the painting.
